Saturday, October 25, 2025

Echoes of Youthfulness: My Journey through the Bhav Gunjan Youth Festival

Echoes of Youthfulness: My Journey through the Bhav Gunjan Youth Festival- 2025:

Some experiences in student life leave a deep and lasting impression — not because they are grand, but because they awaken something within us. The Bhav Gunjan Youth Festival was one such experience — a festival of colours, emotions, performances, and above all, youthfulness.

From the very first day, the campus felt transformed. The air was alive with music, laughter, creativity, and anticipation. The familiar academic corridors turned into spaces of art and imagination. It was no longer a college — it was a living gallery of dreams, energy, and talent

Kala-Yatra: A Moving Canvas of Culture and Conscience

The festival began with Kala-Yatra, a grand procession that celebrated India’s rich cultural diversity and social awareness. Each tableau that moved through the campus told a story — of change, courage, and compassion.


OPENING CEREMONY (1st DAY)


One tableau portrayed “Beti Bachao, Beti Padhao”, symbolizing the power of education for girls and the breaking of patriarchal chains. Another focused on environmental awareness, featuring students dressed as trees, rivers, and animals, silently warning us about the consequences of neglecting nature.

There was also a digital India tableau, highlighting the youth as the true architects of a technologically empowered nation.

THEY WERE APPEARINGTHE QUIZE

WHEN OUR DEPARTMET WAS QUALIFY FOR
THE FINAL ROUND OF QUIZE COMPETETION
(COLLEGE CODE NO. 15)


Watching these vivid performances reminded me of Aristotle’s concept of mimesis — art as the imitation of life. Each tableau reflected real issues of our society and converted them into moving works of art. The colours, costumes, and choreography transformed abstract ideas into living metaphors.

Kala-Yatra was not just a parade; it was a journey through India’s social heartbeat — a dialogue between art and responsibility

The Dramatic Pulse:
Where Emotions Found Their Stage

If Kala-Yatra was the soul of the festival, the drama events were its heartbeat. Every performance — from One Act Plays to Skits, Mimes, and Mono-Acts — resonated with passion, thought, and creativity.

One Act Play: The Mirror of Modern Life





The One Act Plays were nothing short of powerful revelations. One performance titled “The Last Page” revolved around a forgotten teacher who rediscovers meaning when his students return to honour him. It brought tears to many eyes and reminded me of Aristotle’s theory of tragedy — the evocation of pity and fear leading to catharsis.




Another play explored the alienation of the digital age — filled with absurd dialogues and surreal staging. It echoed Martin Esslin’s concept of the Theatre of the Absurd, much like Waiting for Godot, questioning the meaning of human existence in a fragmented world.

Skit: Laughter with a Message

The Skits balanced humour and social critique beautifully. One hilarious piece mocked government bureaucracy — a room full of officers endlessly stamping papers without reading them. The exaggerated mannerisms of the actors reminded me of Ben Jonson’s “Comedy of Humours”, where laughter exposes human folly.

Another skit dealt with social media obsession — portraying a boy proposing online while ignoring his girlfriend in real life. The satire was sharp, the laughter genuine, and the underlying message unmistakable: technology connects us, but often at the cost of real emotion

Mime: When Silence Becomes Speech

The Mime performances were emotionally haunting. Without a single word, the performers expressed volumes. One mime depicted a farmer losing his land to urban greed; another portrayed domestic violence through shadows and movement.

These silent stories reflected Irving Wardle’s “Comedy of Menace” — where beneath the ordinary lies hidden tension and pain. The stillness between gestures spoke more than any dialogue could.

Mono-Act: The Soliloquy of the Soul

The Mono-Acts were perhaps the most intimate moments of the festival. A young actor portrayed a soldier writing his last letter home before battle, switching between pride and fear. Another solo act explored the anxiety of a student torn between family expectations and personal dreams.

In their vulnerability, these performances captured the tragicomic essence of human life — balancing pain and resilience, weakness and strength. Each performer stood alone, yet carried the emotions of many.


Fine Arts: Colours, Clay, and Consciousness

On the final day, the Fine Arts Exhibition opened for public viewing — and it was a celebration of imagination in every form: painting, cartooning, collage, poster-making, clay modelling, and installation art.

A painting titled “Silence of the River” depicted a polluted waterbody suffocated by plastic waste — a silent protest against environmental apathy. Another poster titled “Caged Freedom” showed a woman behind digital bars, raising questions about freedom in the virtual age.

The cartoons were biting yet humorous, full of satire and didacticism — politicians growing “green leaves” only during election campaigns, or a mobile phone evolving into a human hand.

Each artwork balanced aesthetic beauty with moral depth, reminding viewers that art can be both visually pleasing and intellectually awakening. The Fine Arts section was not only a feast for the eyes but also a reflection of collective consciousness.


My Experience as a Observer

This year, I volunteered for the dramatics section — and the experience was transformative. Behind every applause lay endless rehearsals, technical glitches, creative disagreements, and moments of exhaustion. Yet, when the curtains lifted, all struggles dissolved into pride.

I also got to interact with participants from other colleges. We shared snacks, laughter, and stories backstage. There was competition, yes, but it was overshadowed by the sense of community.

As a volunteer, I learned patience, teamwork, and the quiet joy of contributing to something larger than myself. Watching my friends perform, cheering for them, and sometimes helping with lighting cues — each moment became a cherished memory.

The Enchantment of
Raag Bhupali: My Flute Experience

One of the most unforgettable moments of the Bhav Gunjan Youth Festival came during the Classical Flute performance on Raag Bhupali. As the flautist stepped onto the stage, the audience hushed in anticipation. When the first notes emerged — clear, soft, and flowing like a stream — the entire hall seemed to breathe with the music.

WHEN I WAS PERFORMING  RAAG BHUPALI  ON FLUTE 



Raag Bhupali, known for its simplicity and purity, carries within it a quiet joy — a feeling of peace that touches the soul. The performer began with a slow alaap, each note unfolding gently, like dawn spreading across the sky. The sound of the bansuri was so delicate that it felt almost like a prayer.

As the jod and jhala followed, the rhythm picked up — still calm, yet alive with energy. The flautist’s breath control was flawless, and every phrase seemed to echo with a divine resonance. I could feel the presence of shanta rasa — the aesthetic mood of tranquillity and inner balance — filling the room.

For a few minutes, time seemed to stop. The sound of the flute dissolved boundaries between artist and audience, between mind and nature. Many listeners closed their eyes, as if meditating. When the final note lingered in the air before fading, there was a stillness — that sacred silence which only true art can create.

In that moment, I understood why the flute is said to be the voice of the soul. The performance on Raag Bhupali wasn’t just music; it was an experience of spiritual harmony — a meeting point between breath and being, discipline and devotion.

As the applause rose, it wasn’t loud or hurried — it was gentle, heartfelt, full of gratitude for the beauty we had just witnessed. The Bhav Gunjan Youth Festival became, for me, not just a celebration of youth and creativity, but a reminder of how art connects us to something timeless and sacred.


Bhav Gunjan: The Festival of Youthfulness 

The Bhav Gunjan Youth Festival truly lived up to its name — a symphony of emotions. The closing day was a swirl of colours and emotions: laughter, tears, dance, music, photographs, and heartfelt goodbyes.

This festival is rightly called “Yuvani ka Mahaotsav” — the Festival of Youthfulness. It is not merely a cultural competition but a celebration of creativity, courage, and collaboration. It brings together diverse talents — writers, painters, actors, dancers, musicians — in a shared space of expression.

Youth festivals like Bhav Gunjan remind us that education is not limited to classrooms. It is also about learning empathy through art, communication through performance, and unity through diversity.

In a world dominated by screens and algorithms, this festival revives human connection — reminding us that real art still beats within human hearts.


What Bhav Gunjan Taught Me:

When the festival ended and the campus returned to normal, a sense of nostalgia lingered. I realized that Bhav Gunjan was not just an event — it was an emotion, a collective heartbeat of hundreds of young dreamers.

It taught me:

  • That art is not luxury but necessity.

  • That expression is power, especially for the young.

  • That creativity unites, beyond language, subject, or college.

  • And most importantly, that youthfulness is not about age, but about attitude — the courage to imagine a better world.


“Youth is not a stage of life; it is a state of mind.”

 

The Bhav Gunjan Youth Festival rekindled that spirit in me — the belief that as long as we create, collaborate, and dream, we remain forever young.


The Bhav Gunjan Youth Festival was a tapestry woven from countless threads — art, emotion, intellect, humour, and social awareness. Whether it was the rhythmic beats of Kala-Yatra, the emotional whirl of One Act Plays, or the silent poetry of Mime, every event whispered the same truth — Art is the pulse of humanity.

The festival gave every participant — actor, artist, volunteer, or audience — a voice. A voice that doesn’t just echo within the auditorium but resonates long after the final applause fades.

And perhaps, that is what true youthfulness means — to keep the fire of creativity burning, no matter how old the world becomes.   


THANK YOU!

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